FROM FATHER SAMMY WOOD: SECRET PRAYERS

I learned to say the Mass at the Church of the Ascension & Saint Agnes (ASA) in Washington, DC, where I was a curate. My rector, Father Lane Davenport, and I would have “Mass practice” a few times a week in the months leading up to my ordination, and I served as deacon at every Mass I could to spend time at the shoulder of Father Lane or Father Ron Conner, another one of my early mentors at that church. ASA was a “missal parish,” which meant we used the American Missal at all our Masses, rather than the Book of Common Prayer with which we’re so familiar at Saint Mary’s.

FROM FATHER SAMMY WOOD: SAINT MARY’S IS AN ANGLO-CATHOLIC WITNESS

This is the third in an ongoing series I’m writing to unpack our vision here at Saint Mary’s, and today we come to the element of being an “Anglo-Catholic witness.” Saint Mary’s traces her Anglo-Catholic roots to her first priest, the Reverend Thomas McKee Brown, who described the church he founded as “a Free Church in this City of New York, to be worked upon a thoroughly Catholic basis.” When the church opened in 1870, Father Brown instituted daily celebration of the Holy Eucharist, put music near the top of his list of liturgical priorities, celebrated Solemn High Masses with deacon, subdeacon, and incense, and committed the young community to restoring to its worship those “outward adornments which are called the Beauty of Holiness.”

FROM ZACHARY ROESEMANN: ABOUT HOLY ICONS

What is an icon?

“Icon” means “image” in Greek. It is the same Greek word used in Genesis 1 (humans are made “in the image [eikon] of God”) and in Colossians by Paul when he speaks of Jesus as being the “image [eikon] of the invisible God.”

“Icon” in the sense of a holy painting has many definitions, but one I like is “a sacred traditional Christian image used for prayer and worship.” This brings in elements essential to understanding the nature of icons—that they are worthy of veneration like other holy things in the church, such as the Cross or the Gospels; that they are deeply traditional, with roots going back to the origins of Christianity; and that they are made for only one purpose: to help guide people to God in prayer and worship.

FROM FATHER JACOBSON: THE TWELFTH STATION

On Fridays during Lent, we walk the Stations of the Cross together each week at 6:00 PM. Last Friday, I led our journey around the church, and ever since I’ve been reflecting on the Twelfth Station: Jesus dies on the Cross. The passage read at this station, which comes from the Book of Occasional Services, is a condensed version of John 19:26–30, with a supplemental verse from Luke 23:46.

FROM FATHER SAMMY WOOD: SAINT MARY’S IS VIBRANT

This is the second in a series of articles in which I hope to unpack Saint Mary’s concise vision statement. You’ll remember that the Board of Trustees adopted this statement last fall to guide our common life during the next three years:

Saint Mary’s is a vibrant Anglo-Catholic witness in the heart of New York City. With our identity in Christ and a preference for the poor, we are an inclusive, diverse community called to love God and each other for the life of the world.

FROM FATHER PETER POWELL: WORSHIPING & FOLLOWING THE HOLY ONE

Isaiah 6:4: “The sound of their voices made the foundation of the Temple shake, and the Temple itself became filled with smoke.” (Good News Bible)

Did Isaiah in the eighth century BCE predict the establishment of Smoky Mary’s? This verse from the Prophet Isaiah would at least give us the impression that he approved of our style of worship. We have a mighty organ that brings the building alive and we’re famous for our smoke!

FROM DR. DAVID HURD: SANCTUS, SANCTUS, SANCTUS. . .

. . . Dominus Deus Sabaoth, or Holy, holy, holy, Lord God of Hosts; or, in Rite II, Holy, holy, holy Lord, God of power and might. This ancient hymn is raised at all celebrations of the Holy Eucharist and is, in fact, the original hymn historically embedded in the canon of the Mass.

FROM FATHER JAY SMITH: THE LIGHT SHINES IN THE DARKNESS

Fleishman Is In Trouble is a TV mini-series that premiered in 2022 and streamed on Hulu. It starred Jesse Eisenberg, Claire Danes, and Libby Caplan. It was based on a novel by Taffy Brodesser-Akner that was published by Random House in 2019. Toby Fleishman is in trouble. He really is. His marriage is a mess, and he and his wife can’t seem to fix it. He’s a successful doctor, but he doesn’t get the promotion that he wants and thinks he deserves.

FROM FATHER JAY SMITH: SINGING THE LORD’S SONG IN HARD TIMES

Derek Olsen’s retreat last Saturday got me thinking about prayer, worship, and holiness this past week. It may sound pretentious to talk about holiness that way, I know. But I think Derek’s point is that talking about holiness and worship is not pretentious at all. It’s like talking about breathing or drinking water. It’s something fundamental. It just means trying to pay attention to what’s most important in the world.

FROM RENEE WOOD: CATECHESIS OF THE GOOD SHEPHERD RETURNING TO SAINT MARY’S

As we’ve watched the church reopen from the pandemic these past two years, it’s been exciting to see the return of our younger congregants. In response, we’re reopening the atrium this spring and reviving Catechesis of the Good Shepherd (CGS) formation for children. 

FROM FATHER JAY SMITH: LEARNING HOW TO COOK FOR EACH OTHER

In the Sunday morning Adult Formation class last autumn, we began a series called “Conversion, Transformation & Life in Christ.” We talked about conversion from several points of view: sociology, theology, spirituality, and personal testimony. We then went on to discuss the work and thought of Saint Augustine of Hippo, that most famous of Christian converts.

FROM FATHER SAMMY WOOD: ON CHASUBLES OVER THE AGES

One of a handful of garments mentioned in the Bible is the “cloke” or phaelonen, a heavy overcoat of woolen cloth that fell round the wearer’s body like a large cape. Saint Paul, quite the traveler, asked Timothy: “When you come, bring the cloak (φαιλόνης) I left with Carpus at Troas, also the books, and above all the parchments.” (2 Timothy 4:13) Worn over other garments, it provided extra warmth and protection from the elements. By the 4th century, the small Pænula was worn by common Roman citizens, but senators and officials used a larger, much richer version, which in time was adopted by bishops, priests, and other church officials.